Pop music from another age and the machines that played it - A blog by DeBence Antique Music Word
Showing posts with label Nickelodeon. Show all posts
Showing posts with label Nickelodeon. Show all posts
Wednesday, November 1, 2017
You may be culturally deprived if:
1) You cannot tell a band organ from a Calliope
2) You never heard of Sir Harry Lauder
3) Rudy Vallee sounds like a California location
4) The word Graphonola means nothing to you
5) The Coon Sanders Night Hawks sound like a hunting club
6) You think Brunswick only made bowling alleys
7) You think a "45" is just a gun
8) If you think Nickelodeon is only a TV channel.
Visit DeBence Antique Music World at 1261 Liberty Street and let us add some couth to your life.
Wednesday, September 6, 2017
REPAIR OF THE LINK AX Part 6
In June of 2017, we moved it into the shop and started work. Most of the detailed work is now finished and reassembly started.
You may remember that in our first check, we found the soft pedal system interfered with the repositioned drum and we left that problem for later.
The first problem we found was that both the on and off tracker holes were plugged. That seemed an easy fix; but unplugging them fixed nothing. So we started at the valves in the bottom leftside and traced hoses.
The #1 hose was plugged someplace, so we started tracing it. The routing took it behind the valve area. It was stuck and could not be moved. Using the air compressor blew a hold someplace.
Pulling would not move it, so we decided to replace it. Disconnecting from the tracker bar we followed it through the hose bundle on the right side of the case.
We replaced the line from the tracker bar to the valve. A check showed all was well. A later check showed it was still plugged, which meant the tracker bar had redeveloped a problem. Attempts to clean the nipple yielded more chaff, but also pierced the tracker tube. We had to solder up the hole. We then reconnected the tubing and all is well again.
It took longer to do, than to tell the story.
Wednesday, July 12, 2017
FACT SHEET FOR CREMONA J
The Cremona Model J orchestral style was built in Chicago, by the Marquette Piano Company, about 1915. This was the largest orchestrion built by Marquette.
How Rare Is it?
There were fewer than 20 made. How many survive is unknown.
How Does It Work?
The music is contained on a paper roll with holes punched in it, designated as style M, which normally contains 10 songs. The punched holes are "read" by a vacuum control system, that in turn opens valves, allowing the compressed air to enter the selected pipes and play music. The vacuum and compressed air are supplied by wood and leather bellows pumps driven by a crankshaft, which is turned by the electric motor in the bottom of the instrument.
The M Roll controls the piano, mandolin rail, bass drum, snare drum, flute pipes, violin pipes, triangle, tympani and xylophone.
What Is It Worth? What Did It Cost?
In 2004, one sold for $37,000 on eBay. The 1915 selling price is unknown, but it was probably in the $1800 range.
Where Has It Been?
Its original location was at the Salt Air Amusement Park in Salt Lake City, UT. It was then owned by someone in Casper, Wyoming. Jake bought it from the third owner, George Schubert, in Gering, Nebraska for $4000.Background Information
The Marquette Piano Co. started in Chicago, building piano actions but about 1915, expanded to building complete instruments, thus becoming one of the first American firms in this industry. Until 1907, J.P. Seeburg worked for them until founding his own company.
Sold under the Cremona name, their major production was between 1905 and 1920. They built high quality machines with interior parts highly finished, even though not visible.
Our Stewardship
Jake wanted instruments to play and was not hesitate to bypass "unnecessary" features to that end. There was a booster pump added; but many of the "unnecessary" features such as treble soft, piano volume and xylophone were bypassed. We have rebuilt the piano stack, reconnected the original pump and activated the other bypassed features. After three attempts to get the xylophone playing, we have been only partially successful in this regard.Wednesday, June 7, 2017
An Early Cremona
This was one of the earlier Cremona styles and was also sold by the Piano Player Mfg. Co. as Rhapsodist style B. Thus quite a few may survive in collections today.
The music is contained on a paper roll with holes punched in it, designated as style A, which normally contains 10 songs. The punched holes are "read" by a vacuum control system, which controls the piano and mandolin rail. The vacuum is supplied by wood and leather bellows pumps driven by a crankshaft, which is turned by the electric motor mounted in the bottom of the instrument. The roll drive is also located in this area and is a well designed system, more durable than many of the competitors.
We have no information prior to 2011, when this instrument was donated to us by Joan Hick, who donated it as the executrix of her brother Robert Sabo's estate. Robert had started the restoration before he died and Joan wanted the work to be completed, with the instrument available to be viewed and played for the public. The machine was delivered in many pieces and it was not until 2012 that Joan found the original stained glass and delivered it to us. All the piano action parts beyond the 65 notes played by the A roll were missing and had to be reproduced from our "junk pile". Most of the case had been stripped for refinishing, which we did not complete. The carriage lamps were missing and a grant from one of our Board members paid for their reproduction.
We completed the necessary work and moved it to the first floor in 2013.
Background Information:
The Marquette Piano Co. started in Chicago building piano actions but about 1905 expanded to building complete instruments, thus becoming one of the first American firms in this industry. Until 1907, J. P. Seeburg worked for them until leaving to found his own company.
Sold under the Cremona name, their major production was between 1905 and 1920. They built high quality machines with interior parts highly finished even though not visible, using a lot of mahogany for the wood parts.
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